Wingchun Forms

Wingchun Forms
  • Company : Kunlun International Martial Arts Academy
  • Region : Zhejiang , China
  • Category : Office & School Supplies > Art Supplies
  • Specification : Forms ? ? ? ??? ? Siu Nim Tao (??? ?/???; xi?o ni? n tóu;Yale Cantonese: síu nihm t? uh; "little idea" or "little imagination") or Siu Lim Tao (??? ?/???;xi?o li? n tóu; Yale Cantonese: síu lihn t? uh; "little practice").The first, and most important form in Wing Chun, Siu Lim Tao, is the foundation or "seed" of the art from which all succeeding forms and techniques depend. Fundamental rules of balance and body structure a
  • Contact Person : XieJiaming|||translator
  • Telephone :
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  • Website : http://www.chinesetkungfu.com
  • Email : [email protected]
  • Update : Aug/22/2016
  • Product Details

    Forms ? ? ? ??? ? Siu Nim Tao (??? ?/???; xi?o ni? n tóu;Yale Cantonese: síu nihm t? uh; "little idea" or "little imagination") or Siu Lim Tao (??? ?/???;xi?o li? n tóu; Yale Cantonese: síu lihn t? uh; "little practice").The first, and most important form in Wing Chun, Siu Lim Tao, is the foundation or "seed" of the art from which all succeeding forms and techniques depend. Fundamental rules of balance and body structure are developed here. Using a car analogy: for some branches this would provide the chassis for others this is the engine. It serves basically as the alphabet for the system. Some branches view the symmetrical stance as the fundamental fighting stance, while others see it as more a training stance used in developing technique?? Chum Kiu (??/??;pinyin: xún qiáo; Yale Cantonese: cham4 kiu4; "seeking the bridge". Alternately "sinking bridge" pinyin: chen qiáo; Yale Cantonese: sám kìuh;)The second form, Chum Kiu, focuses on coordinated movement of bodymass and entry techniques to "bridge the gap" between practitioner and opponent and move in to disrupt their structure and balance. Close-range attacks using the elbows and knees are also developed here. It also teaches methods of recovering position and centerline when in a compromised position where Siu Nim Tao structure has been lost. For some branches bodyweight in striking is a central theme, whether it be from pivoting (rotational) or stepping (translational). Likewise for some branches, this form provides the engine to the car. For branches who use the "sinking bridge" interpretation, the form takes on more emphasis of an "uprooting" context adding multi-dimensional movement and spiraling to the already developed engine.?? Biu Tze (??/??;pinyin: bi?o zh?; Yale Cantonese: bìu jí; "darti

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